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Du søgte på: max weber og ma=xe og ma=te
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Emne: Religion and international relations ; International relations ; Roman Catholicism, Roman Catholic Church ; Social & political philosophy ; Political science & theory ; Politics and Government
Summary: A standout contribution to post-secular IR theory, this book addresses issues of global politics, from cooperation to conflict, and shows how a religious metaphor, the pilgrim, [...] can help us to rethink our concepts of self, agency, and community in a time of changing world order. Pilgrimage, Politics, and Globalization offers metaphorical notions of pilgrims and pilgrimages to rethink the concepts of self, community and political action under the pressures of globalization. Pilgrimages are common to all world religions and increasingly popular also in secular contexts. The book presents a novel take on the concept of pilgrimage to explore political, sociological, theological and philosophical thinking. Rooted in the Judeo-Christian tradition it is a contribution to a post-secular dialogue among civilizations in search for a common political agency
 
NET: Palgrave Macmillan, 2013 • 1 bibliotek •
240 s.
Mariano Barbato teaches political science at the University of Passau, Germany, and is the founding director of the Center for European Studies and International Relations at Babes-Bolyai-University Cluj-Napoca, Romania. He holds doctorates in Political Science from the LMU Munich (DPhil.) and the University of Passau (DHabil.). He was Max Weber Fellow at the European University Institute in Florence, Italy, and his recent articles on the role of religion in politics and international relations have been published in various journals, including Millennium, European Political Science Review, and Politics, Religion & Ideology
Electronic book text
Epublication based on: 9781137275806, 2012
ISBN: 9781137275813
ISBN: 1137275812
Anskaffelsesvilkår: 69.00. 69.00
Indhold: Prologue: Imagine Postsecular Pilgrimage: The Idea of the Book Global Return of Religion: Clash or Engagement Self: Pilgrim, Nomad, Homo Faber Agency: Pilgrimage between Departure and Destiny Community: The Pilgrim's Cosmopolitan Communitarian Companions The Pilgrim's Policy Conclusions: Cooperation, Conflict, Change Pilgrim City: Seeing IR Again for the First Time Epilogue: D - Destiny or F - Freedom
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[+] Er kristendommen død eller hvordan?
Tekst: Jean Fischer
I: Kristeligt dagblad, 2012-09-13
Bestil uanset udgave:   Bestil AVISARTIKEL: 'Er kristendommen død eller hvordan? - I: Kristeligt dagblad - 2012' nu
 
 
Emne: religion ; kristendom ; folkekirken
Mange intellektuelle har i kølvandet på sekulariseringen spået kristendommens snarlige død. Men er analysen overhovedet korrekt, eller er sekularisering en vestlig myte, [...] der ikke holder vand? spørger dagens kronikør, der har læst Max Weber og Peter Berger over skulderen
 
AVISARTIKEL: Kristeligt dagblad. - 2012-09-13. - Sektion 1, s. 13 : ill. • 50 biblioteker •
tekst: Jean Fischer

I: Kristeligt dagblad. - 2012-09-13. - Sektion 1, s. 13 : ill.
Form: kronikker
Bestil uanset udgave:   Gå til netversion
 
 
Emne: Johnson, Malvin Gray, 1896-1934 ; Kuniyoshi, Yasuo, 1889-1953 ; Weber, Max, 1881-1961 ; Modernism (Art). United States ; Painting, American. 20th century ; Art criticism. United States. History. 20th century ; Art and race
Summary: "Malvin Gray Johnson, Yasuo Kuniyoshi, and Max Weber were three New York City artists whose work was popularly assigned to the category of "racial art" in the interwar years of the twentieth century. [...] The term was widely used by critics and the public at the time, and was an unexamined, unquestioned category for the work of non-whites (such as Johnson, an African American), non-Westerners (such as Kuniyoshi, a Japanese-born American), and ethnicized non-Christians (such as Weber, a Russian-born Jewish American). The discourse on racial art is a troubling chapter in the history of early American modernism that has not, until now, been sufficiently documented. Jacqueline Francis juxtaposes the work of these three artists in order to consider their understanding of the category and their stylistic responses to the expectations created by it, in the process revealing much about the nature of modernist art practices. Most American audiences in the interwar period disapproved of figural abstraction and held modernist painting in contempt, yet the critics who first expressed appreciation for Johnson, Kuniyoshi, and Weber praised their bright palettes and energetic pictures--and expected to find the residue of the minority artist's heritage in the work itself. Francis explores the flowering of racial art rhetoric in criticism and history published in the 1920s and 1930s, and analyzes its underlying presence in contemporary discussions of artists of color. Making Race is a history of a past phenomenon which has ramifications for the present. Jacqueline Francis is a senior lecturer at the California College of the Arts"--Provided by publisher
Summary: "A comparative history of New York expressionist painters Malvin Gray Johnson (1896-1934), Yasuo Kuniyoshi (1893-1953), and Max Weber (1881-1961)"--Provided by publisher
 

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NET: University of Washington Press, c2012 • 1 bibliotek •
Jacqueline Francis
xiv, 250 s., illustreret (some col.)
Includes bibliographical references (p. 155-236) and index.
"A McLellan book"--T.p
ISBN: 9780295991450
ISBN: 0295991453
Indhold: Introduction -- The meanings of modernism -- Making race in American religious painting -- Type/face/mask: racial portraiture -- The race of landscape -- Conclusion
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Emne: European history. Modern period, c 1500 onwards. Italy ; Fascism & Nazism. Modern period, c 1500 onwards. Italy ; History
Summary: This work seeks to take a fresh look at the contentious question of the longevity and popularity of Mussolini's regime in Italy. In particular, it draws upon new research to challenge what has been the most influential paradigm over the last couple of decades, [...] namely, the interpretation of Italian fascism as a consensual dictatorship. It has been a commonplace in Italian scholarship that Fascism enjoyed its long tenure not through terror but because of widespread popular consensus. By contrast a recent wave of research has reintroduced the notion of 'totalitarianism' to discussions of Mussolini's regime-yet often without testing the degree of active participation or opposition. So what was the relationship between Fascists and followers, party and people? Bringing together young Italian scholars-many appearing for the first time in English-engaged in new research on both elites and ordinary people, this volume offers a wide-ranging, in-depth analysis of Italian society's involvement in Fascism
 

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NET: Palgrave Macmillan, 2012. (Italian and Italian American studies) • 1 bibliotek •
Edited by Giulia Albanese, Roberta Pergher

Serie: Italian and Italian American studies
Systemkrav: PDF
Giulia Albanese is an assistant professor at the University of Padova. Her research focuses on the origins of fascism, political violence, and authoritarian cultures. Currently she works on a comparative study examining political violence and institutional crisis in Spain, Portugal, and Italy in the 1920s. She is the author of La Marcia su Roma (2006) and Alle origini del fascismo. La violenza politica a Venezia (1919-1922) (2001). Roberta Pergher is an assistant professor at the University of Kansas. She has been a Max Weber fellow at the European University Institute in Florence, Italy and a postdoctoral fellow at the Eisenberg Institute for Historical Studies at the University of Michigan. Her research and teaching interests are centered in the history of Modern Europe, in particular the history of Italy and Germany, and include the topics of comparative fascism, colonialism, and borderland studies. She is the author of several articles on Fascist demographic policy and settler experiences
Electronic book text
Epublication based on: 9780230392922, 2012
ISBN: 9780230392939
ISBN: 0230392938
Anskaffelsesvilkår: £69.00. £69.00
Indhold: Historians, Fascism, and Italian Society: Mapping the Limits of Consent-- R.Pergher & G.Albanese Borghesi in Uniform: Masculinity, Militarism, and the Brutalization of Politics from World War I to the Rise of Fascism-- L.Benadusi Violence and Political Participation during the Rise of Fascism (1919-1926)-- G.Albanese Consent, Mobilization, and Participation: The Rise of the Middle Class and its Support for the Fascist Regime-- T.Baris Neither Bluff nor Revolution: The Corporations and the Consolidation of the Fascist Regime (1925-1926)-- M.Pasetti The Entrepreneurial Bourgeoisie and Fascism-- A.Gagliardi The Allure of the Welfare State-- C.Giorgi The 'New Racist Man': Italian Society and the Fascist Anti-Jewish Laws-- V.Galimi The Consent of Memory: Recovering Fascist-Settler Relations in Libya-- R.Pergher The Royal Army's Betrayal? Two Different Italian Policies in Yugoslavia (1941-1943)-- E.Gobetti Clio Among the Camicie Nere: Italian Historians and their Allegiances to Fascism (1930s-1940s)-- M.Angelini
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Emne: Weber, Max, 1864-1920 ; Capitalism ; Political ideologies ; Political science & theory ; Economic theory & philosophy ; Politics and Government
Summary: This book explores the uses and limits of Max Weber's work for thinking sociologically about capitalism today. The books argues that through Weber, a network of concepts can be developed that can frame a sociological analysis of the present. [...] This book turns back to a famous classical source - the work of Max Weber - in order to think in new ways about capitalism today. By reading between Weber and a range of contemporary theorists, including Gilles Deleuze, Ulrich Beck and Zygmunt Bauman, it is argued that the on-going value of Weber's work lies in the concepts that underpin his economic and cultural sociology. Weber's method of concept formation is addressed before five main concepts are assessed and developed: capitalism, market, neoliberalism, class and modernity. These concepts are assembled into a network of thinking devices that are used to frame a sociological understanding of the present. It is argued that through such conceptual work it is possible to think creatively about the underlying dynamics of contemporary capitalism, and in so doing move beyond the limits of so-called postmodern and second modern theory
 

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NET: Palgrave Macmillan, 2012 • 2 biblioteker •
Nicholas Gane

Systemkrav: PDF
NICHOLAS GANE is Reader in Sociology at the University of York, UK. His previous publications include Max Weber and Postmodern Theory, The Future of Social Theory and New Media: The Key Concepts (with David Beer)
Electronic book text
Epublication based on: 9780230242036
ISBN: 9781137271181
ISBN: 1137271183
Anskaffelsesvilkår: £66.00. £66.00
Indhold: Acknowledgements Introduction Method Capitalism Markets Neoliberalism Class Modernity Conclusion Notes Bibliography Index
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