"The film is neatly divided in two: It first follows the brief alliance of "art brat" Chilton, teenage singer of a four-million-selling single with the Box Tops, and guitar geek Chris Bell, founding mastermind who succumbed to depression and a car crash in 1978, before documenting the years-long groundswell that saw their cult grow amid reissues, cover versions, and a 1993 reformation. Big Star only released two albums during their commercially invisible career, with label Ardent Records stymied by distribution crises, and the band's flowering was both nourished and plagued by the local "society of oddballs" (seen in brief, vivid archival clips shot by photographer and scenester William Eggleston); people with big hair, awful shirts, and absurd mustaches reveled nightly after the sale of liquor by the drink had become legal in Memphis in 1970".