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Culture strike : art and museums in an age of protest


Beskrivelse


Laura Raicovich shows how art museums arose as colonial institutions bearing an ideology of neutrality that masks their role in upholding capitalist values. And she suggests how museums can be reinvented to serve better, public ends.

Indhold

Seneste udgave,

Introduction -- 1. Revelations -- Artist Nan Goldin and the Sackler family -- The historical roots of museums -- The untenability of the universal -- Progressive era reform -- 2. Art and Context -- Colonialism and repatriation -- Dana Schutz at the Whitney -- The Philip Guston Retrospective -- Sam Durant at the Walker -- 3. Show Me the Money -- Questions for philanthropy -- Warren Kanders, tear gas, and the Whitney -- Reimagining public funding -- Questioning governance -- 4. Unlearning, Undoing, Remaking -- Alternate storytellings -- Approach to decolonization and indigenization -- Survivance -- 5. The Neutrality Problem -- Spilled ink -- Materializing the neutral -- Working toward the "Not-Yet" -- 6. Going Forward -- Who is "we"? -- Collective work -- Invitations to participate -- Public culture -- 7. Liberation Serif -- COVID-19 -- Breath -- Reckonings and demands -- Acknowledgements -- Selected bibliography -- Notes -- Index


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