Sans attendre

"Her first French-language album for five years, isn't going to stop the world turning. But it is good ... What's most striking about Sans Attendre is its restraint. The swirling "Celle qui m'a tout appris" could have transformed itself into a power ballad, but instead it's about the melody and mood ... Give this a chance, because it's stylish modern pop of a type that begs to be heard beyond the world it's addressing".

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"Sans attendre might not be Dion's Berlin, exactly, but there's considerably more darkness here than one might expect from a mainstream pop album ... As ever, even detractors of Dion will concede that her technique is perfect. Those who think technique is only worth something when it is in the service of soul might find their long-standing concerns with the chanteuse's work unresolved by Sans attendre".