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Tidsskrift
Musik (cd), ℗2024
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Minder om
Welcome to Shepherd's Bush
The Rolling Stones
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Eric Clapton's Crossroads Guitar Festival 2023
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Willie Nelson
Med dig hele vejen : de største sange
Sebastian
Shades of love
Anna Szarmach
Twelve inch eighties - hold me now
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True electric
Röyksopp
Anmeldelser (3)
AllMusic
2024
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Mark Deming
2024
"For the most part, Williams focuses on album cuts rather than pop hits, though "Can't Buy Me Love" and "Something" are here, and she aims for the rougher and more idiosyncratic side of the Beatles' catalog, putting a healthy portion of soulful grit into "Don't Let Me Down" and "I've Got a Feeling," letting her Southern spirit inform the psychedelia of "Rain," and replacing the bitterness of "I'm Looking Through You" with a palpable sadness ... While "The Long and Winding Road" and "Let It Be" don't quite click, with their sentimentality going against the grain of Williams' plain-spoken style, this album is a welcome testimony from a fan, reminding us how the Beatles spoke to so many people in so many ways, including one of roots music's most vital tunesmiths".
The arts desk
d. 30. nov. 2024
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Liz Thomson (musikanmelder)
d. 30. nov. 2024
"Lucinda Williams [delves] into this most hallowed of song catalogues and bravely [tackles] numbers that are rarely, if ever, covered. As is her way ... From A Hard Day's Night (1964) through to Let It Be (1970), Williams cherry picks a dozen songs that represent diverse aspects of The Beatles' career, including two of George Harrison's most enduring numbers, "While My Guitar Gently Weeps" (The White Album, 1968) and "Something" (Abbey Road, 1969) which work surprisingly well".
Rolling stone
d. 9. dec. 2024
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Joseph Hudak
d. 9. dec. 2024
"Williams' singing style can be an acquired taste. It is a rough Southern drawl, punctuated by moans and warbles that help convey the gravity of her lived-in lyricism. Turns out, that Louisiana-reared voice has the same effect on the works of Lennon-McCartney and Harrison. Her rendering of "Don't Let Me Down," which opens the album, is especially pleading, as Williams all but cries the chorus with the same ragged emotion she put into her own "Joy," off her masterwork 'Car Wheels on a Gravel Road'".