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Tidsskrift
Musik (cd), ℗2024
Musik (cd), 2017
Emneord
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Jump on board
Texas
Brorson : the rare treasure of faith
Phemius Consort
The masterworks, vol. 2 : chamber and instrumental works
Carl Nielsen (f. 1865)
En hyldest til Carl Nielsen
Helios Trio
The song the melody - Carl Nielsen
Kaare Norge
Garden party
Michala Petri
Schubert's four seasons
Franz Schubert
Carl Nielsen on record : Vintage and other historical recordings
Carl Nielsen (f. 1865)
Forår og sommer i Den Gamle By
Akademisk Kor Århus
Musikalsk biografi
Tonny Landy
Anmeldelser (5)
Kristeligt dagblad
d. 30. aug. 2017
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Peter Dürrfeld
d. 30. aug. 2017
"Den 24-årige pianist Elisabeth Holmegaard Nielsen ... er qua sine talrige prisbelønninger og koncerter i ind-og udland allerede et navn, mange musikelskere har bidt mærke i ... Det klinger i den grad af Beethovens særlige storhed, i hvert fald i denne indspilning. Carl Nielsen er repræsenteret med sin 10 minutter lange chaconne, opus 32 ... Men hovednummeret på den nye cd er og bliver Robert Schumanns fantastiske Carnaval ... og det er en fryd at høre det med en pianist, der straks fra sine første anslag fascinerer og får os til at spidse ører. Her er virkelig noget på spil".
BBC music magazine
2024 February
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Rebecca Franks
2024 February
"Beethoven wrote nearly 20 named variation sets ... Cédric Tiberghien is on a mission to explore them all. This is the rewarding second volume, weaving between Beethoven's music and illuminating interjections by others. His playing is characterful and lively, relishing the inventive ways in which the composer could play with an idea".
Fono Forum
2024 Februar
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Christoph Vratz
2024 Februar
The gramophone
2024 April
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Harriet́ Smith
2024 April
"Cédric Tiberghien's notion of mixing things up, done with such mastery in the first volume of his complete Beethoven variations, continues in Vol 2, in which figures as varied as Sweelinck, Bach, Feldman, Cage and Crumb are interspersed with the man himself, ensuring the set's 133 tracks are constantly absorbing ... As a whole, Tiberghien's reframing of Beethoven is full of delights".
The gramophone
2017 December
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Jed Distler
2017 December
"Elisabeth Nielsen gives a forthright, tightly unified and slightly foursquare performance of the Beethoven. The fingerwork is clean but the insistent accentuations of down-beats become increasingly predictable. Still, Nielsen's sotto voce playing conveys a compelling, almost disembodied shimmer. She unfold Nielsen's quirky, boundlessly, creative Chaconne ... in long, cohesive and steadily cumulating arcs, creating a relatively sober, goal-oriented impression ... Carnaval proves less successful".