You still got me

"Beth's many fans will be delighted to know she's coaxed up another stellar record ... For the blues-rockers in the house, Slash stars on the sultry opener "Savior With A Razor," tearing up some serrated note flurries alongside a honkey-tonk sound piano, while "Don't Call The Police" is utterly captivating, bursting from quiet piano and Hart's raw gasping to a seismic chorus section, followed by a spectacular guitar solo at the breakdown ... Such is Hart's ability to turn her voice and hands to many different styles, this album is unlikely to prick up the hairs of blues aficionados. But what you do have is a very, very special talent who is as inimitable as she is moving and spellbinding. From tongue in cheek to leaving you in tears, 'You Still Got Me' is emotionally exhausting, but well worth the battle".

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"When Hart throws back her head and lets rip; we all get the blues. But that's only a minor part of her aural arsenal. Admittedly there are moments here where it's all Janis Joplin attitude and a hellhound on our trail, but look closer and there's a smoky Tom Waits burr, a honkytonk roadside bar, country twang, a broken-down ballad or two. She's assuredly switching through the gears as if they're all second nature to her, she's not trying on a musical style for size ... Still, if you want to experience a powerhouse in full effect then sit back and let "Don't Call The Police" sweep you up and carry you away, Hart's vocal rising and falling with the power of a crashing wave. Inspired by the death of George Floyd, it's a bleak but beguiling highlight of an album that's filled with them".

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