Music / jazz

Arco iris


Content

Latest edition,

Hado

Búscate en mí

Fado Al-Mu'tamid

Flor de nieve

Oh Andaluces

Ya laylo layl

Fado menor

Búscate en mí, var.

Moradía

Las morillas de Jaén

Que faré

Arco iris


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Reviews (4)


AllMusic

2011

By

By

J. Poet

2011

"Amina Alaoui is a vocalist, pianist, and composer steeped in the history of Andalusian music, the fusion of Arab, Spanish, Persian, and Portuguese styles that evolved in the courts of Moorish Spain in the ninth century. Her intent, stated poetically in the album's liner notes, is to use the fusion of styles that flourished centuries ago as the foundation for a modern music without boundaries. Arco Iris translates as rainbow, a metaphor for the way the musics of the Iberian Peninsula and Northern Africa blend into and color each other. Alaoui, and the five musicians that accompany her, produce a powerful, contemplative sound that stirs deep feeling with its deliberate tempos and intricate instrumental work. Still, the main focus remains Alaoui's soulful, passionate vocals. They take up an immense emotional space...".


All about jazz

d. 3. July 2011

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By

John Kelman

d. 3. July 2011

"Following her outstanding performance with the cross-cultural, century-spanning ensemble of Norwegian keyboardist/composer Jon Balke's Siwan (ECM, 2009), it's no surprise that the German label has tapped into the Moroccan singer for an album of her own ... Backed by an outstanding multinational quintet that, in its reliance on acoustic instruments - violin, oud, flamenco guitar, mandolin and percussion - feels utterly timeless in the 21st century, Arco Iris pays sincere reverence to Alaoui's own roots. Born in Fez, she first studied Gharnati - a musical variant originating in Al-Andalus, stemming from Moroccan and Algerian traditions - but by assimilating a variety of cultural markers both near and far, Arco Iris possesses a much broader reach, a successful attainment of Alaoui's assertion, "I am an artist of the present. I abstain from simply copying the styles of the past" ... Alaoui - a singer whose greatest potential is always kept simmering just below the surface-delivers, throughout this compelling recording, with equal measures grace, emotive power and phrasing filled with evocative implication".


Blogcritics

d. 28. June 2011

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By

Greg Barbrick

d. 28. June 2011

"Amina Alaoui' ECM solo debut, Arco Iris, is a stunningly beautiful album ... Originally schooled in the Moroccan Gharnati tradition, she has also studied European classical music, medieval chant, and Persian song forms. One of the many brilliant aspects of Arco Iris is her ability to blend these influences into a style all her own ... I found the nine-minute "Ya laylo layl" to be worthy of special mention. With words supplied by Ibn Zaydun de Cordoba (1003-1071), and music by Amina, this piece is one of the few that feature the full band playing together. A welcome twist occurs at the end, with a particularly unconventional flamenco guitar solo from Jose Luis Monton. The guitarist arranged "Las morillas de Jaen", which is another superior track. This is the most aggressive piece on the record, and a virtual guitar extravaganza".


Jazz special

Nr. 122 (2011)

By

By

Finn Nielsen

Nr. 122 (2011)

"En af årets mest lutrende cd'er ... Med en overdådig stemmes pragt og fylde er det en passioneret, grænseoverskridende hyldest til den iberiske sjæl, til halvøens tonaliteter ... Der bliver sunget på andalus, arabisk og portugisisk, genrer som flamenco, fado, tarab er inspirerende blødt op ... Ekstatiske tekster af bl.a. den navnkundige Al-Mutamid Ibn Abbad (1040-1095, Sevilla/Cordoba) er hentet fra det mauriske middelalderlige Iberia og sat i musik af Amina Alaoui ... Resultatet er hypnotiserende, hvordan det arabiske "black mood" og andaluserens emotionelle ensomhed spejler sig i hinanden og indgår nye forbindelser".



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