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Tidsskrift
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Between the phobic object and the dissident subject : abjection and vampirism in Luis Buñuel's Viridiana(Julián Daniel Gutiérrez-Albilla)
Costume, identity and spectator pleasure in historical films of the early Franco period(Jo Labanyi)
Masculinity, monuments and movement : gender and the city of Madrid in Pedro Almodóvar's Carne trémula (1997)(Steven Marsh)
Madness, queenship and womanhood in Orduña's Locura de amor (1948) and Aranda's Juana la loca (2001)(Celia Martín Pérez)
New sexual politics in the cinema of the transition to democracy : de la Iglesia's El disputado (1978)(Alejandro Melero Salvador)
Borderline men : gender, place and power in representations of Moroccans in recent Spanish cinema(Parvati Nair)
A psychoanalysis of La mujer más fea del mundo (1999)(Eva Parrondo Coppel)
Gender and Spanish horror film(Tatjana Pavlovic)
strong women, or the same old story?(Chris Perriam: Heterosociality in Segunda piel (Gerardo Vera, 2000) and Sobreviviré (Alfonso Albacete and David Menkes, 1999))
¿Victoria? : a modern Magdalene(Rob Stone)
Theatricality, melodrama and stardom in El último cuplé(Kathleen M. Vernon)
Radio free Folklóricas : cultural, gender and spatial hierarchies in Torbellino (1941)(Eva Woods)
In
All registered articles grouped by issue
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