Little broken hearts
Norah Jones
Keywords
Reviews (3)
AllMusic
2013
By
By
Thom Jurek
2013
"On The Blue Room, her second Decca recording, Madeleine Peyroux and producer Larry Klein re-examine the influence of Ray Charles' revolutionary 1962 date, Modern Sounds in Country and Western Music ... The Blue Room is a brave experiment, but one that pays off handsomely. For anyone who hasn't spent time with Charles' classic country recordings, it doesn't matter, because what's here stands confidently on its own".
Jyllands-posten
d. 9. May 2013
By
By
Henrik Jensen
d. 9. May 2013
"Arrangementerne måske en smule stillestående, taget i betragtning at albummet lægger sig i traditionen efter Ray Charles' country-periode. "I Can't Stop Loving You" lyder som om, kærligheden forsvandt for længst, og Warren Zevon-nummeret "Desperadoes Under The Eaves" er nok ikke lige hendes boldgade".
DownBeat
2013 April
By
By
John McDonough
2013 April
"Madeleine Peyroux wears the stark simplicity of pre-rock country-pop with a spare openness in 'The Blue Room', which removes her from any association with jazz and puts her in the downscale environment of a saloon roadhouse a little before closing time. The result will be a guilty pleasure to anyone who feels above the country comfort food served here".
