Way out weather

"As it unfolds, the music betrays traces and influences of the early-'70s Grateful Dead and the Byrds -- circa Untitled. It is easily the most beautiful song Gunn's ever written. "Shadow Bros," the excellent back-porch waltz that follows, is framed by banjo, mandolin, acoustic guitar, harp, and old-timey vocal harmonies; its use of reverb gives more dimension to the poetic, metaphysical narrative in the lyric ... His musical language has evolved into a sound that is not only ambitious, but instantly recognizable".

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"Gunn goes for a kind of cosmic Americana. The melodies seemed soaked in a timeless well of American music: the album feels both new and familiar at the same time, every song a clever layering of Gunn's guitars - acoustic, electric, steel, and assorted effects pedals, but all separated clearly, so there's no hint of sonic mush. Gunn's voice is perfect, too: a little enervated, dazed, but smoky and engaged".

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