"A World Lit Only By Fire bears little resemblance to Hymns, the supposedly final Godflesh album from 2001, which eased Broadrick's transition into the post-shoegaze blurs of Jesu. Instead, this marks a return to the bleak, grinding cacophonies of early classics like Streetcleaner and Slavestate, wherein monochrome riffs and dehumanised drums collide, conjuring a disorientating fog of urban desperation and fury; the machinistic momentum of krautrock and Suicide re-imagined through a cracked prism of post-Thatcher social alienation".