"Oldham's reaffirmation of country as a spartan, romantic, existentially troubled music is a trick he perhaps learned from Haggard himself, but he strays further still from country's core sound, replacing the pedal steel and banjo with flutes, saxophones and acoustic guitar. By doing this, and choosing deep cuts rather than hits like Okie From Muskegee, he universalises a music that is still overlooked by many listeners, and in some cases arguably improves it".