"In all, Blood Money, like its sister, Alice, is a record steeped in musical and lyrical traditions barely remembered by popular culture and hence very rarely evoked (from carnival marches to tarantellas, primitive tangos, and early 20th century jazz). This isn't the other side of Tin Pan Alley, but an appreciation for and evocation of the music of the Weimar Republic with its easy pathos and often grotesque funhouse humor".