Music / soul

Bobo yéyé : Belle époque in Upper Volta


Description


Summary: From his studio in central Bobo-Dioulasso, West African photographer Sory Sanlé documented a nation's transformation from colonial foothold to cosmopolitan oasis. Captured on on 6x6 medium format Rolleiflex SL66, Sanlé?s keen eye provides an intimate look into the landlocked nation's pop culture explosion of the 1970s, through changing hair and fashion, hats and sunglasses, swords and boomboxes, motorcycles and cars, the traditional and modern. A melange of community elders and emboldened youth spill from the brightly lit confines of Sanlé's Volta Photo into the dimly lit nightclubs of Upper Volta's cultural capital, all compiled in a 120-page hardbound book. Bookending this coffee table worthy black and white monograph are multiple essays, 28 battered sleeves, and a complete pre-revolution discography. Draped in colorful Voltaic patterns are three accompanying discs, with dozens of rare and evocative recordings by Bobo-Dioulasso's musical titans: Volta Jazz, Dafra Star, Echo Del Africa, Coulibaly Tidiane, and Les Imbattables Léopards, all darting in and out of Afro-funk, French yeye, and American R & B while still maintaining a grip on their pre-colonial heritage. --Numero Group.

Reviews (4)


Record collector

459 (2016 November)

By

By

Paul Bowler

459 (2016 November)

"Analog Africa's 2011 compilation Bambara Mystic Soul provided an excellent introduction to the scene; its superlative contents suggesting there was a treasure trove waiting to be discovered. For this further exploration, Numero have fixed their gaze on one of the country's cultural hotbeds; the city of Bobo-Dioulasso. Accompanied by a hardback book featuring the famed contemporary photographs of local photographer Sory Sanlé, it's a sumptuous work ... The music of Volta Jazz, whose deft melding of Cuban rhythms and West African harmonies, augmented by raw and fiery guitar work (...), represent some of the finest African music unearthed this year. Volta Jazz's lead vocalist Coulibaly Tidiane went on to form Dafra Star ... Less frenetic than Volta Jazz, and with a more pronouncedly African rhythmic focus ... A final disk collects the city's other notable bands, with Les Imbattables Léopard's dreamy "Bissongo Lebguinw" and [the] rock'n'roll influenced "He Ya Wannan" amongstthehighlights".


Pitchfork

d. 10. Dec. 2016

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By

Andy Beta

d. 10. Dec. 2016

"Upper Volta's earliest orchestras took cues from a band comprised of French colonial businessmen and Western instruments like the guitar, trumpet, and saxophone. American R&B, rhumba from the Congo, and (as the title suggests) the yé-yé of French '60s pop - the bands of Upper Volta drew on all of it. No doubt, the titan of African pop, Franco Luambo's O.K. Jazz - from the Republic of the Congo and the biggest African star on the continent - had a considerable influence on one of the earliest and most prolific bands to arise in the new country, Volta Jazz ... Their output is collected on the first disc of this set and is boisterous and simmering in equal measure, drawing on their native Bobo heritage and mixing in the many rhythms from outside their borders - most crucially, the Cuban music that found its way into the country on 78s. - "Best new reissue"".


AllMusic

2016

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By

Thom Jurek

2016

"Bobo Yéyé: Belle Époque in Upper Volta is a hefty, handsome box set; it's equal parts photo exhibit and musical anthology documenting the landlocked nation (now known as Burkina Faso) during the 1970s ... The 176-page hardbound book provides an introductory essay with a fine historical overview of colonial, post-colonial, and pre-revolutionary Upper Volta ... The set includes a disc each by Volta Jazz and Dafra Star. They offer rare tracks illustrating a startling crossroads where Malian and Nigerian melodies and rhythms collide with those of Ghana and Niger. Along the way, they encounter and build on Cuban rhythms, rock, and R&B sounds from the Americas. Check Volta Jazz's mind-melting "Mousso Koroba Tike." Fuzzed-up psychedelic wah-wah guitars and rock drums run headlong into highlife, accompanied by polyrhythmic hand drums and souled-out vocal harmonies. Contrast this with Dafra Star's fusion of call-and-response Malian folk and Latin-inspired funk in "Sie Koumgolo" ...[Thisbox] is one of Numero's most obsessively assembled artifacts, and given their high standards, that's saying plenty".


fRoots

2017 Jan/Feb

By

By

Ian Anderson

2017 Jan/Feb

"A re-issue of lunatic quality ... Three magnificently mastered CDs of glorious 1970's "golden era" music from the landlocked West African state now known as Burkina Faso ... One CD of Orchestre Volta-Jazz, full of chiming, twangfastic electric guitar, scurrying percussion, tooting horns and plangent vocals. One CD of the marginally more rootsy Coulibaly Tidiani (himself ex-Volta-Jazz) & L'Authentique Orchestre Dafra Star, who featured the traditional balafon in amongst horns and recorded and played in Mali where they befiended clear kindred spirits the Rail Band and Super Biton ... And a final excellent compilation featuring half a dozen pieces by the splendidly-named, well-drilled and versatile military band Les Imbattables Léopards (very Congolese on the driving "Dja Tigui Kie", endearingly moody on "Milaoba", very Cuban on "Néné" ... Well-researched and deeply informative notes on the bands, lots of colour shots of evocative album and single covers (...) andfulldiscographies of the main local labels".



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