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Tidsskrift
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Introduction: contemporary cognitive media theory / Ted Nannicelli and Paul Taberham -- "The pit of naturalism": neuroscience and the naturalized aesthetics of film / Murray Smith -- Evolutionary film theory / Malcolm Turvey -- The geography of film viewing: what are the implications of cultural-cognitive differences for cognitive film theory? / Daniel Barratt -- Audiovisual correspondences in Sergei Eisenstein's Alexander Nevsky: a case study in viewer attention / Tim J. Smith -- Engaged and detached film viewing: exploring film viewers' emotional action readiness / Ed S. Tan -- Coloring the animated world: exploring human color perception and preference through the animated film / Kaitlin L. Brunick and James E. Cutting -- Mood and ethics in narrative film / Carl Plantinga -- Effects of entertaining violence: a critical overview of the general aggression model / Dirk Eitzen -- A general theory of comic entertainment: arousal, appraisal, and the PECMA flow / Torben Grodal -- Postcolonial humor, attachment, and Yasujiro Ozu's Early summer / Patrick Colm Hogan -- Avant-garde film in an evolutionary context / Paul Taberham -- Cognitive theory and the individual film: the case of Rear window / William Seeley and Noël Carroll -- Cognitive theory and video games / Andreas Gregersen -- Blinded by familiarity: partiality, morality and engagement with television series / Margrethe Bruun Vaage -- Coming out of the corner: the challenges of a broader media cognitivism / Greg M. Smith
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