Music / verdensmusik

Congo revolution : revolutionary and evolutionary sounds from the two Congos 1955-62


Content

Latest edition,

Cha Cha Cha Del Zombo(Brazzos et O.K. Jazz)

Brazzos

3:09 min

Tcha Tcha Tcha Mi Amor(Brazzos et O.K. Jazz)

Brazzos

3:11 min

Baila(Essous & Rock-a-Mambo)

Essous

2:35 min

Kumavula Tubakueto(Edo et O.K. Jazz)

Edo (Congo)

3:11 min

Sois Sage Amour

OK Jazz

3:10 min

Allegria(Nino & Rock-a-Mambo)

Nino

2:50 min

Rhythmo Vedette Jazz

Bagette et le Vedette Jazz

2:44 min

Tokeyi Kobina Calypso(Franco et O.K. Jazz)

Franco

3:16 min

Luiza(Essous et Orchestre Bantou)

Essous

2:45 min

Yo Me Moera

Le Beguen Band

2:51 min


Periodica

The article is a part of

The articles in  are frequently about

Articles with same topics

In


Articles

All registered articles grouped by issue

...

...

...

...

...


Reviews (1)


Mojo

2020 February

By

By

David Katz

2020 February

"During the late '50s and early '60s, musicians on both sides of the Congo River were experimenting with hybrid styles, drawing from Afro-Cuban son and the big-band arrangements of American and European orchestras, to craft the beginnings of a new music genre - known as Congolese rumba or rumba Lingala - that would dominate much of the continent for decades to come. This excellent compilation highlights early work by giants such as Franco and OK Jazz, Pepe Kalle's African Jazz and Dewayon's Conga Jazz, among many others. There are cha cha chas, African calypso and pseudo son from OK Jazz, plus a tribute to independence martyr Patrice Lumumba by African Jazz, and merengue from African Fiesta; faux Spanish mingles with French, Lingala and other African languages. The extensive 48-page booklet, illustrated by beautiful photographs, gives context to this most potent phase".



Information and editions