L.A. Witch
L.A. Witch
Keywords
Reviews (3)
Pitchfork
d. 11. Oct. 2017
By
By
Ian Cohen
d. 11. Oct. 2017
"Boeckner and Krug's hearts were on fire on their debut and ever since, that passion has burned just as hot in their other endeavors. And yet, when the two realign on subsequent Wolf Parade records, the results have been workmanlike in all aspects: admirable, handsomely crafted, and ultimately defined by how much they sounded like work".
The guardian
d. 5. Oct. 2017
By
By
Gwilym Mumford
d. 5. Oct. 2017
"Cry Cry Cry is their most cohesive work yet, a blend of Springsteenian bar-room rock and Sparks-style operatics that holds together surprisingly well".
Drowned in sound
d. 3. Oct. 2017
By
By
Adam Turner-Heffer
d. 3. Oct. 2017
"Ultimately, Cry, Cry, Cry while perhaps not a return to Apologies to Queen Mary's zeitgeist making turn, shows that Wolf Parade are no longer living under that momentum debut's shadow. This is the follow-up record it seems the band have been searching to create ever since they first started about writing At Mount Zoomer and through to Expo 86. While not meaning to wish disrespect towards those two still very good records, there is an energy to Cry, Cry, Cry that simply got lost in the storm Apologies created. After some time away to re-group, it seems, Wolf Parade have re-found that spark".