"The only time the album stumbles is when Miles dials it down past spooky all the way to nocturnal death blues on the overly long and overly guitar-soloed "Vacant Eyes." It's a game effort at aping the Gun Club, but Miles is much better at new wave fog and gloom than hollow-eyed balladry. In fact, Cut Yourself Free shows that Miles is on his way to being a master of it, and its best moments equal the work of some of the people who have obviously inspired him".