Daydream nation

"Daydream Nation demonstrates the extent to which noise and self-conscious avant art can be incorporated into rock, and the results are nothing short of stunning".

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"The journey from the trippy joy of "Teenage Riot" to the hot-rodded choogle of "Eliminator Jr." was a bracing, glorious experience, and Daydream Nation confirmed their status as one of America's best and most original alternative rock bands, and one that had a shot at a future outside the underground -- a pleasant surprise given the alienating air of their earliest work".

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"Selv løsrevet fra sin kontekst og som umiddelbar lytteoplevelse er der stadig tale om et af de sidste 20 års bedste rockalbum, og netop fordi det blev så skoledannende, er det måske svært for jomfruelige ører at forstå, hvor mindblowing nyt og anderledes det lød på studerekamre verden over i efteråret og vinteren 1988".

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"Daydream Nation doesn't sound as radical now as it did back then, mostly because so many later bands transformed these achievements into everyday fact. But it still sounds like a work of genius".

"Behold the art-rock tour de force that opened the gate for Nevermind ... a 70-minute double album blending classic punk songwriting with dissonant improvisation. It was a formula the band had long patented but here perfected on an epic scale".