"Soul Jazz's fourth dive into the kosmische beyond ... [A] contrast-savvy, intelligently sequenced comp. If Can, Harmonia and Amon Düül II are essential but familiar, the pleasing jolts come when, for example, Conrad Schnitzler's electronic minimalism from 1978 segues into Kalacakra's Tibetan ethno-forgery from 1972. Encompassing acoustic repose, jazz and Beat Club organ wailing, it also includes tracks by Witthüser & Westrupp, Agitation Free and Alex, whose vegetable man pulsator "Patella Black" features the Czukay/Liebezeit Can rhythm section chasing a Vitamin C-like trance state".