A bit of previous
Belle and Sebastian
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Music / jazz
A bit of previous
Belle and Sebastian
The night and the music
Lina Nyberg
The window
Cécile McLorin Salvant
Look now
Elvis Costello
(Watch my moves)
Kurt Vile
Blues from Chicago to Paris : a tribute to Memphis Slim and Willie Dixon
Kenny "Blues Boss" Wayne
Push and shove
No Doubt
A fool to care
Boz Scaggs
Dragon new warm mountain I believe in you
Big Thief
Den Nye Salmetrio fortolker Leonard Cohen
Den Nye Salmetrio
2022
By
By
Matt Collar
2022
"On her first album for Nonesuch Records, vocalist Cecile McLorin Salvant continues to push her sound beyond the straight-ahead jazz that has earned her accolades. Though known for her Ella Fitzgerald-esque skill at interpreting songbook standards and French chanson, Salvant has proven herself a literate and nuanced songwriter in her own right. She brings all of these aspects together yet again on Ghost Song, this time adding in more contemporary cover tunes and other folk traditions she hadn't yet explored".
2022
By
By
Matt Collar
2022
"On her first album for Nonesuch Records, vocalist Cecile McLorin Salvant continues to push her sound beyond the straight-ahead jazz that has earned her accolades. Though known for her Ella Fitzgerald-esque skill at interpreting songbook standards and French chanson, Salvant has proven herself a literate and nuanced songwriter in her own right. She brings all of these aspects together yet again on Ghost Song, this time adding in more contemporary cover tunes and other folk traditions she hadn't yet explored".
d. 23. Mar. 2022
By
By
David Alexander Dyrholm Nielsen
d. 23. Mar. 2022
"Der er fuldstændig fri leg på Salvants plade, hun springer elegant og overlegent rundt mellem genrer og udtryk, så traditionel vokaljazz, fri improvisation, sjælfuld pop, musicalmelodrama, avantgardistisk kirkeorgelmusik, americanafolk og spoken word blendes til en pærevælling ... Det kan lyde som noget værre miskmask, der udelukkende handler om at fremvise teknisk overskud eller musikalsk spændvidde, men heldigvis viser det sig ikke at være tilfældet ... Salvant [anerkender] det historiske fundament, hendes sange bygger på - uden at det bliver tilbageskuende. I stedet videreudvikler hun på livet løs, bygger nye etager og føjer nye grene til den amerikanske jazztradition".
d. 23. Mar. 2022
By
By
David Alexander Dyrholm Nielsen
d. 23. Mar. 2022
"Der er fuldstændig fri leg på Salvants plade, hun springer elegant og overlegent rundt mellem genrer og udtryk, så traditionel vokaljazz, fri improvisation, sjælfuld pop, musicalmelodrama, avantgardistisk kirkeorgelmusik, americanafolk og spoken word blendes til en pærevælling ... Det kan lyde som noget værre miskmask, der udelukkende handler om at fremvise teknisk overskud eller musikalsk spændvidde, men heldigvis viser det sig ikke at være tilfældet ... Salvant [anerkender] det historiske fundament, hendes sange bygger på - uden at det bliver tilbageskuende. I stedet videreudvikler hun på livet løs, bygger nye etager og føjer nye grene til den amerikanske jazztradition".
527 (2022 January)
By
By
Charles Waring
527 (2022 January)
"Her most ambitious record yet; an epic smorgasbord of sonic delights that comes across like the soundtrack to a futuristic science fiction film. It opens with an echoey, windswept take of Kate Bush's Wuthering Heights that segues into an offbeat medley, but the most mind-blowing track, though, is I Lost My Mind which, with its layered voices and eerie sepulchral organ, comes across like the aural equivalent of an LSD trip. Far out, as they say".
2022 April
By
By
Stephen Deusner
2022 April
"Abandoning the live, spare sound of 2018's 'The Window', [Salvant] dresses up these new originals and covers with complex, kaleidoscopic arrangements that borrow from jazz of all eras (the epic "Until"), theatrical psychedelia ("I Lost My Mind"), and '70's art-pop (her understated cover of Kate Bush's "Wuthering Heights"). But it's her voice, always expressive and active, that anchors even the wildest experiments, whether it's the children's choir at the end of the title track or the ratatat rhythms of "Obligations"".
527 (2022 January)
By
By
Charles Waring
527 (2022 January)
"Her most ambitious record yet; an epic smorgasbord of sonic delights that comes across like the soundtrack to a futuristic science fiction film. It opens with an echoey, windswept take of Kate Bush's Wuthering Heights that segues into an offbeat medley, but the most mind-blowing track, though, is I Lost My Mind which, with its layered voices and eerie sepulchral organ, comes across like the aural equivalent of an LSD trip. Far out, as they say".
2022 April
By
By
Stephen Deusner
2022 April
"Abandoning the live, spare sound of 2018's 'The Window', [Salvant] dresses up these new originals and covers with complex, kaleidoscopic arrangements that borrow from jazz of all eras (the epic "Until"), theatrical psychedelia ("I Lost My Mind"), and '70's art-pop (her understated cover of Kate Bush's "Wuthering Heights"). But it's her voice, always expressive and active, that anchors even the wildest experiments, whether it's the children's choir at the end of the title track or the ratatat rhythms of "Obligations"".