In Times New Roman

"By working exclusively with a lineup that's been largely in place for 16 years - only drummer Jon Theodore hasn't been around that long, he's been a part of the group for a decade - Homme is able to steer QOTSA toward their essence, laying down a foundation of gnarled, greasy guitars that allow the band either to soar to the horizons or plummet to earthy depths".

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"Inkarnerede fans vil fryde sig over, at mange af de ting, der har kendetegnet bandet gennem hele deres diskografi, er bevaret. Nye fans kommer der nok ikke så mange af. Rockmusikken er hverken blevet et rigere eller fattigere sted med denne plade, men det er Queens of the Stone Age sikkert ligeglade med".

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"'In Times New Roman' is unlikely to win over those perched on the fence, though all-encompassing adoration perhaps doesn't fit a period that has left so many deep scars. They've pitched their comeback between an emotional exorcism for Homme, but with enough fan-service for the die-hards; this is up there with their darkest, knottiest material to date, and will be appreciated all the more for it".

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"On its angriest and heaviest record in years, the rock band restores its bluesy, primitive sound as Joshua Homme confronts his recent turmoil".

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"Inkarnerede fans vil fryde sig over, at mange af de ting, der har kendetegnet bandet gennem hele deres diskografi, er bevaret. Nye fans kommer der nok ikke så mange af. Rockmusikken er hverken blevet et rigere eller fattigere sted med denne plade, men det er Queens of the Stone Age sikkert ligeglade med".

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"On its angriest and heaviest record in years, the rock band restores its bluesy, primitive sound as Joshua Homme confronts his recent turmoil".

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"By working exclusively with a lineup that's been largely in place for 16 years - only drummer Jon Theodore hasn't been around that long, he's been a part of the group for a decade - Homme is able to steer QOTSA toward their essence, laying down a foundation of gnarled, greasy guitars that allow the band either to soar to the horizons or plummet to earthy depths".

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"'In Times New Roman' is unlikely to win over those perched on the fence, though all-encompassing adoration perhaps doesn't fit a period that has left so many deep scars. They've pitched their comeback between an emotional exorcism for Homme, but with enough fan-service for the die-hards; this is up there with their darkest, knottiest material to date, and will be appreciated all the more for it".

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"Den gode nyhed er, at Queens of the Stone Age igen stempler ind med guitaren forrest - og uden vrangforestillinger om at lyde som andet eller mere end sig selv ... Her er masser af særegent tromlende guitarer fra bandets tre guitarister, der hiver og flår i lytterens opmærksomhed, mens tordenvejret Jon Theodore (...) ondulerer trommerne med rå tyngde og præcision (...) Josh Homme med andre ord trukket Queens of the Stone Age tilbage på fast grund rent musikalsk".

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"Queens Of The Stone Age dyrker stadig den støvede ørkenrock på det nye album, men energien synes - på mærkværig vis - at være trukket ud af projektet, og evnen til at skrive fængende rocksange (...) er tilsyneladende forsvundet ... Det samme guitarriff gentages kriminelt mange gange på denne kedelige og endimensionelle plade".

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"Den gode nyhed er, at Queens of the Stone Age igen stempler ind med guitaren forrest - og uden vrangforestillinger om at lyde som andet eller mere end sig selv ... Her er masser af særegent tromlende guitarer fra bandets tre guitarister, der hiver og flår i lytterens opmærksomhed, mens tordenvejret Jon Theodore (...) ondulerer trommerne med rå tyngde og præcision (...) Josh Homme med andre ord trukket Queens of the Stone Age tilbage på fast grund rent musikalsk".

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"Queens Of The Stone Age dyrker stadig den støvede ørkenrock på det nye album, men energien synes - på mærkværig vis - at være trukket ud af projektet, og evnen til at skrive fængende rocksange (...) er tilsyneladende forsvundet ... Det samme guitarriff gentages kriminelt mange gange på denne kedelige og endimensionelle plade".

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