L'elisir d'amore
Gaetano Donizetti
Keywords
Reviews (6)
Jyllands-posten
d. 24. Mar. 2010
By
By
John Christiansen
d. 24. Mar. 2010
"Bel canto betyder smuk sang, men det indebærer, at også et indre drama kommer frem i sangen. Det fik de to, Flórez med stor sikkerhed og Dessay med smittende charme ... Evelino Pidò dirigerede særdeles forfriskende. Mary Zimmermans opsætning åbner for en dobbeltbundethed, som er en ren fryd. Handlingen er lavet lidt om. Operakompagniet, som skal opføre "Søvngængersken", prøver i et hotel over for operaen. Det er teater i teatret".
BBC music magazine
2011 May
By
By
Michael Tanner (musikanmelder)
2011 May
"This performance of Bellini's lovely opera from Sardinia has a superb Amina in Eglise Gutierrez, the finest since Callas, but the rest of the cast, and the production, is merely provincial".
BBC music magazine
2014 February
By
By
George Hall (musikanmelder)
2014 February
"Bellini relies on fine singing to make his dramatic points, and this is an entirely serviceable cast if not really a special one ... Orchestra and chorus are both excellent".
International record review
2011 April
By
By
Roger Pines
2011 April
"The 1956 black-and-white television film is hard to take with its lip-synching and busy direction, but it does boast one great asset - the dazzling Amina of the very young Anna Moffo".
Fono Forum
2014 Dezember
By
By
Manuel Brug
2014 Dezember
"Ein schweizerisches Feirendorf in den Dreissigern und ein edles Höhenluftsanatorium ... Jessica Pratt ... mit voller Stimme und durchschlagender Höhe, singt die Amina vielleicht ein wenig zu gesund, aber könnerisch ... Gabrielle Ferro dirigiert mit Sinn für italienische Rubato-Kultur".
The gramophone
2014 March
By
By
Mike Ashman
2014 March
"The cast has been carefully assembled ... The production is gently updated 100 years to the 1930s and set in a mountain ski resort ... Morassi's direction has the advantage of taking the piece seriously".