"None of her music has been released in the English-language marketplace until now; "Maki Asakawa," an 18-track anthology compiled by the label Honest Jon's, is a good way to start. She coded as cult all the way: Her basic sound and image were interior-life bohemian, and in some ways she was cagey with her talent. She didn't belt or improvise broadly. She picked a limited range of notes and climbed into them, applying a pinch of vibrato, letting her voice fade and crackle".