"De Crécy has been behind some of the most urgent, delirious and downright seductive house music ever to escape from across the channel ... Here history arches its back and spits violently. Songs called Rhodes, Right and Hoo Haa collapse without the backbone of context. Memories and shared experiences are vital to carry music into the future - and without the hangovers or LP sleeves, or mothers screaming at you to turn the volume down, the two discs of previously unreleased tracks are merely ephemeral sketches of stillborn music".