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Reviews (2)
AllMusic
2017
By
By
Matt Collar
2017
"On his fourth studio effort and first for Blue Note Records, 2017's Parking Lot Symphony, New Orleans singer, songwriter, and brass wizard Troy Andrews (aka Trombone Shorty) fully embraces the organic '70s-style R&B he's heretofore only touched on ... Ultimately, Parking Lot Symphony is one of Trombone Shorty's most balanced productions, equal parts New Orleans R&B sophistication and loose, block party fun".
The guardian
d. 27. Apr. 2017
By
By
John Lewis
d. 27. Apr. 2017
"His debut for Blue Note sees the venerable label throwing everything at him in the hope that something sticks. But the horny retro soul of No Good Time and It Ain't No Use sound antiseptic when they should be down and dirty; the R&B slugging on Familiar falls a little flat; while a version of Here Come the Girls works only because it's a note-for-note copy of the Allen Toussaint/Ernie K Doe original. However, the title track is a fine piece of EWF-style symphonic soul; Dirty Water chugs along pleasantly; and the two Laveau Dirges that bookend the album are spine-tingling evocations of his home town's extraordinary musical history".