"... Moss comes at it hard, putting out muscular, hard-drving, traditional Chicago style blues. Gruenling is all over him, jabbing and slashing at every opening. But traditional in this case doesn't mean covers. Of the thirteen entries here, Moss wrote eight, Gruenling contributing two for an eccletic mix of jump blues, rockabilly, and down and dirty, deep-dish Chicago blues ... It's a high quality debut with plenty of room for both to stretch out in later on".