Music / folk

Why does the earth give us people to love?


Reviews (8)


AllMusic

2023

By

By

Marcy Donelson

2023

"Although she began collecting awards for her poetry as a teen, including being named National Youth Poet Laureate in 2019, Chicagoland's Kara Jackson is far from a writer who dabbles in music. She started piano lessons as early as age five, has referred to singing as her first love, and released her debut singer/songwriter EP within weeks of the laureate designation. Even though the EP, a spare acoustic-guitar outing, garnered positive attention for its blunt observations and turns of phrase as well as Jackson's husky, authoritative voice, it may have done little to prepare the music world for the stark theatricality and poignancy of her first album".


Pitchfork

d. 17. Apr. 2023

By

By

Mary Retta

d. 17. Apr. 2023

"On her brutally honest debut album, the Chicago singer-songwriter takes folk music and bends it to her will, exploring agony and adoration in equal measure ... Her storytelling is masterful, filled with earnest lyricism and a knack for arresting imagery".


Spectrum culture

d. 27. Apr. 2023

By

By

Shayan Ismaiel

d. 27. Apr. 2023

"Kara Jackson's voice is one of the best in folk and country in recent memory; more than anything else, the songs on her debut album (...) gain their power from being sung in her rich, near-plainspoken alto".


AllMusic

2023

By

By

Marcy Donelson

2023

"Although she began collecting awards for her poetry as a teen, including being named National Youth Poet Laureate in 2019, Chicagoland's Kara Jackson is far from a writer who dabbles in music. She started piano lessons as early as age five, has referred to singing as her first love, and released her debut singer/songwriter EP within weeks of the laureate designation. Even though the EP, a spare acoustic-guitar outing, garnered positive attention for its blunt observations and turns of phrase as well as Jackson's husky, authoritative voice, it may have done little to prepare the music world for the stark theatricality and poignancy of her first album".


Pitchfork

d. 17. Apr. 2023

By

By

Mary Retta

d. 17. Apr. 2023

"On her brutally honest debut album, the Chicago singer-songwriter takes folk music and bends it to her will, exploring agony and adoration in equal measure ... Her storytelling is masterful, filled with earnest lyricism and a knack for arresting imagery".


Spectrum culture

d. 27. Apr. 2023

By

By

Shayan Ismaiel

d. 27. Apr. 2023

"Kara Jackson's voice is one of the best in folk and country in recent memory; more than anything else, the songs (...) gain their power from being sung in her rich, near-plainspoken alto".


Politiken

d. 28. July 2023

By

By

Kim Skotte

d. 28. July 2023

"et album, der primært er poetisk markant, men også har musikalsk gennemslagskraft ... Med sin støvede, mørke stemme og sine usødede poetiske ballader om beskidte lagner, blå mærker og tømmermænd i mange afskygninger, er det svært ikke at tænke på Kara Jackson som en slags arvtager til Tracy Chapman ... et noget ujævnt album, der står stærkest, når Kara Jacksons musikalske personlighed er mest fritskrabet".


Politiken

d. 28. July 2023

By

By

Kim Skotte

d. 28. July 2023

"et album, der primært er poetisk markant, men også har musikalsk gennemslagskraft ... Med sin støvede, mørke stemme og sine usødede poetiske ballader om beskidte lagner, blå mærker og tømmermænd i mange afskygninger, er det svært ikke at tænke på Kara Jackson som en slags arvtager til Tracy Chapman ... et noget ujævnt album, der står stærkest, når Kara Jacksons musikalske personlighed er mest fritskrabet".