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Tidsskrift
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Detaljer
Beskrivelse
Demonstrates how Ondaatje's multisensory, fluid and historically inflected writing can forge an intimately embodied, ethically responsible and politically enabling relationship between audience, author and text.
Indhold
Seneste udgave, bogAcknowledgements Table of contents Introduction The multiple senses of the haptic A touch affectionat but troubling Michael Ondaatje: Writing politically with a difference Notes Chapter I: Haptic Writing as Affective Cinema Hapticizing the 'I' / 'eye' in The Collected Works of Billy the Kid Coming through the haptic cut: History in the making and Coming through Slaughter Humble Affections of the Cinematic: Michael Ondaatje's Films of the 1970s Notes Chapter II: Micropolitical Hapticity and Witness Writing 'Touching into words the intimacy of witness writing in Running in the Family Witnessing the body/The body witnessing in Anil's Ghost Notes Chapter III: Haptic Writing and Micropolitical Betrayals 'A falling together of accomplices' in In the Skin of a Lion: Writing, history, betrayal Between the grope of the hand and the sight o a rifle: The betrayal of propinquity in The English Patient Betrayals o the Cinematic: Anthony Minghella's The English Patient Notes Epilogue: The Haptic in Literature: Hiding, Playing, Educating Notes Bibliography Index
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