Musik / senromantik

Chorale fantasies


Detaljer


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Indhold

Seneste udgave, musik (cd)

Fantasi for orgel over Ein feste Burg ist unser Gott, opus 27

Max Reger

Fantasi for orgel over Freu dich sehr, o meine Seele, opus 30

Max Reger

Fantasi for orgel over Wie schön leucht' uns der Morgenstern, opus 40:1

Max Reger

Fantasi for orgel over Straf' mich nicht in deinem Zorn, opus 40:2

Max Reger

Fantasi for orgel over Alle Menschen müssen sterben, opus 52:1

Max Reger

Fantasi for orgel over Wachet auf, ruft uns die Stimme, opus 52:2

Max Reger

Fantasi for orgel over Halleluja! Gott zu loben bleibe meine Seelenfreud, opus 52:3

Max Reger

Fantasi for orgel over Wie schön leuchtet der Morgenstern, opus 25

Heinrich Reimann


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Anmeldelser (4)


MusicWeb international

2016 March

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Stuart Sillitoe

2016 March

"Here this new recording by Balázs Szabó shines through. The complete Fantasies are presented in a neat 2 CD set with excellent notes containing full information about the three instruments employed for this recording. The playing is by far the best and this is aided by superb SACD crystal clear recorded sound with every nuance of these extraordinary works being captured however quiet".


MusicWeb international

2016 May

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Stephen Greenbank

2016 May

"Throughout this stunning traversal, he has subtle control of dynamics from extreme pianissimo to earth-shattering fortissimos. Choice of registration is varied and imaginative and is consistently in keeping with the nature and character of the music. Another plus is that Szabó has selected three different instruments to showcase these splendid masterpieces ... I sincerely hope that there will be more Reger to come from Szabó, whose convincing advocacy of this music is compelling in every respect".


Diapason

2016 avril

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Paul de Louit

2016 avril


Fono Forum

2016 August

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Friedrich Sprondel

2016 August

"Szabós konturstarke, gleichsam rufende Interpretationen überwinden deren Überakustik [Walcker-Orgel von Wiener Votivkirche] ... In der transparenteren Akustik [der Stadtkirche in Giengen] wagt er schärfere Tempokontraste, ruhige Passagen entfalten bannende Flächenwirkung ... An die Kuhn-Orgel der Zürischer Kirche St. Anton ... werden die Fantasien ... zum apokalyptischen Drama in drei Akten - dank der Fähigkeit Szabós, Spannung aufzubauen und klanglich wirkungsvoll zu inszenieren".