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Tidsskrift
Bog, 2011
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Camera and canvas: Emmer, Storck, Resnais and the post-war art film. Vasari in Hollywood: artists and biopics. Galleries of the gaze: the museum in Rossellini's Viaggio in Italia and Hitchcock's Vertigo. Tableaux vivants 1: painting, film, death and passion plays in Pasolini and Godard. Tableaux vivants 2: film stills and contemporary photography. The video that knew too much: Hitchcock, contemporary art and post-cinema
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