Film / nonfiktion / balletfilm

Great stars of Russian ballet, volume 1 : historic performances 1971-1983


Indhold

Seneste udgave,

The dying swan(music: Camille Saint-Saëns, choreography: Mikhail Fokine, solodanser: Maya Plisetskaya)

Mazurka(music: Alexander Scriabin, choreography: Kasyan Goleizovsky, solodanser: Ekaterina Maximova)

Melody (Pas de deux)(music: C.W. Gluck, choreography: Asaf Messerer, solodansere: Marina Kondratiyev og Maris Liepa)

La bayadère (Pas de deux af 4. akt)(music: Ludwig (Léon) Minkus, choreography: Marius Petipa, solodansere: Nadezhda Pavlova og Vyacheslav Gordeev)

Svanesøen (Pas de deux af 2. akt ("Den hvide svane")(music: P.I. Tchaikovsky, choreography: Marius Petipa and Lev Ivanov, solodansere: Maya Plisetskaya og Valery Kovtun)

Svanesøen (Pas de deux af 3. akt ("Den sorte svane")(music: P.I. Tchaikovsky, choreography: Marius Petipa and Lev Ivanov, solodansere: Maya Plisetskaya og Valery Kovtun)

Narcissus og Ekko (Solo)(music: Nikolaj Tcherepnin, choreography: Kasyan Goleizovsky, solodanser: Vladimir Vasiliev)

Esmeralda (Pas de deux)(music: Cesare Pugni, choreographer: Agrippina Vaganova, after Petipa, solodansere: Tatyana Terekhova og Nikolay Kovmir)

Don Quixote (Pas de deux)(music: Ludwig (Léon) Minkus, choregraphy: Alexander Gorsky, after Petipa, solodansere: Nina Timofeeva og Alexander Godunov)

Legend of love (Pas de deux)(music: Arif Melikov, choreography: Yuri Grigorovich, solodansere: Lyudmila Semenyaka og Alexander Bogatirev)

Romeo og Julie (Pas de deux)(music: Hector Berlioz, choreography: Maurice Béjart, solodansere: Ekaterina Maximova og Vladimir Vasiliev)

Giselle (Pas de deux af 2. akt)(music: Adolphe Adam, choreography: Marius Petipa, after Coralli and Perrot, solodansere: Tatyana Tayakina og Valery Kovtun)

Korsaren (Pas de deux)(music: Adolphe Adam, choreography: Marius Petipa, solodansere: Margarita Drozdova og Vadim Teleev)


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Classical CD review

2011 June

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R.E.B.

2011 June

"Now we are indebted to them once again for these two disks of historic performances from 1955 to 1991 ... The the performances are stunning. All of these seem to be filmed under studio conditions without audience, with limited sets. Video and audio are dated but always sufficiently good to convey the fabulous dancing. These are important issues for all balletomanes".