In ghost colours

"I modsætning til et hjemligt, synth-elskende orkester som Spleen United har Cut Copy et væsentligt mindre aggressivt udtryk ... Adskilt af adskillige korte interludes rummer In Ghost Colors en samling solide sange, der først kryber ind i øregangen og dernæst regerer lytterens hjerne indefra".

"A gloriously positive record, one whose cheerily strummed acoustic guitars, shimmering synths, sweeping choruses, and playful sonics maintain a delicate balance; where a lot of summer pop records like this often scream fun to the point of being oppressive (...), there's nothing remotely show-offy about In Ghost Colours ... It's a hard record not to love ... As you might expect, there are still blushes of French house and electro scattered liberally all over the show, but they're always deployed in ways that serve - rather than overshadow - the song ... This is one of the best bridges between electro and rock in a long time; the joins are so seamless that you don't even think of the songs on those terms".

"En opvisning i, hvor fermt man kan skrue cool, opløftende og klubinspireret indiepop sammen ... 'In Ghost Colours' er det album, Thomas Troelsen burde have lavet med sit Private-projekt, og de veloplagte numre står ganske enkelt i kø ... Forrygende udspil, der emmer af overskud, gode sange og musikalsk tæft. Din sommer står og falder med, at du får det købt. Omgående".

"It's difficult to find fault in this excellent sophomore album from Australia's foremost electro/rock crossover act".

"Synthpop-trioen lyder næsten mere britiske end de åbenlyse forbilleder i New Order og Human League. Men selvom Melbourne-foretagendet gør brug af "kunstneriske" lydcollager, står det hurtigt klart, at de ikke er meget andet end et hæderligt orkester med en stor svaghed for 1980ernes engelske musikscene".

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