Musik / jazz

Live in Europe 1969


Detaljer


...

...

...

...

...

...

...

...

...

...

...

...


Indhold

Seneste udgave, musik (cd),musik (dvd)

Introduction by André Francis

Directions

Miles runs the voodoo down

Milestones

Footprints

'Round midnight

It's about that time

Sanctuary

The theme

Spanish key


Tidsskrift

Artiklen er en del af

Artiklerne i  handler ofte om

Artikler med samme emner

Fra


Artikler

Alle registrerede artikler fordelt på udgivelser

...

...

...

...

...


Anmeldelser (3)


Pitchfork

d. 31. jan. 2013

af

af

Hank Shteamer

d. 31. jan. 2013

"It's a real trove, and not just because this lineup is relatively obscure. In a very clear way, the Lost Quintet is the pivot point between the two main phases of Miles' 40-plus-year career: the acoustic jazz idiom he inhabited, and eventually revolutionized, from the mid-'40s through the late '60s, and the plugged-in ensembles he would lead until his death in 1991. In other words, if you've ever wondered exactly how the dapper jazzman of Kind of Blue morphed into a loudly attired icon in wraparound shades, this set offers some crucial clues".


AllMusic

2013

af

af

Thom Jurek

2013

"Davis' in the present viewing the past as a gateway to his musical future. It's obvious here that he freely embraced the sonic, textural, and timbral possibilities that electricity offered him in creating a more open, in-the-moment, music. Live in Europe, 1969 makes obvious that on this tour, Davis' creative vision was holistic and completely assured. These fire-breathing performances offer a band at fever pitch hearing and playing what they knew even then was a new chapter in jazz history".


Jazz special

Nr. 132 (2013)

af

af

Ole Matthiessen

Nr. 132 (2013)

"En af de helt store jazzhistoriske udgivelser. Miles Davis' "hemmelige" kvintet, som i sin tid ikke blev indspillet af Columbia, men siden har fundet vej ud på en række piratudgivelser ... I sin Bootleg Series (...) har Columbia nu fundet yderligere materiale frem med kvintetten. Blandt dem er nogle af de mest interessante i hans karriere: koncerterne fra Juan-les-Pins sommeren 1969, kun tre uger før indspilningerne af Bitches Brew ... Et par af numrene fra Bitches Brew er med, sammen med dele af gruppens dengang faste turnerepertoire, men spillet i et eksplosivt grænseland mellem eksperimenterende fri jazz og rock. Miles Davis har hverken før eller senere i sin karriere, tror jeg, spillet mere chokerende ekspressivt brændende end her. Rytmegruppen koger, brænder, syder. Corea er ved at flække sit el-klaver på tværs, Holland og DeJohnette myldrer rundt, river og rykker i pulsen, presser, strækker, flyver. Et enestående øjeblik i Miles Davis' lange rejse".