Musik / senromantik

The golden age


Detaljer


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Indhold

Seneste udgave, musik (cd)

A new Satiesfaction : efter ("Gymnopédie nr. 1")(Stephan Koncz/Erik Satie, Made in Berlin)

Stephan Koncz (f. 1984)

Syncopation(Ray Chen, violin, Julien Quentin, klaver)

Fritz Kreisler

Estrellita(arr. Jascha Heifetz, Ray Chen, violin, Julien Quentin, klaver)

Manuel María Ponce

Koncert for violin og orkester nr. 1, g-mol, opus 26(Ray Chen, violin, London Philharmonic Orchestra, dirigent: Robert Trevino)

Max Bruch

Schön Rosmarin(Ray Chen, violin, Julien Quentin, klaver)

Fritz Kreisler

Lotus land, opus 47:1(arr. Fritz Kreisler, Ray Chen, violin, Julien Quentin, klaver)

Cyril Scott (f. 1879)

Waltzing Matilda(arr. Stephan Koncz, Made in Berlin)

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Anmeldelser (5)


Presto classical

d. 30. juni 2018

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Katherine Cooper

d. 30. juni 2018

"Editor's choices - June 2018: Chen treats Bruch's war-horse with such delicacy and affection that it's impossible not to be won over no matter how many times you've heard the piece - his legato's a thing to marvel at, and even though there's portamento and Mantovani-esque vibrato aplenty it's used as seasoning rather than overpowering everything in its wake. The Made In Berlin ensemble's riffs on Satie and (somewhat less expectedly) Waltzing Matilda are great fun".


Politiken

d. 18. juli 2018

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Thomas Michelsen

d. 18. juli 2018

"Ray Chen har fundet sin egen populære stil og er ikke bange for at gøre grin med sig selv og musikken. Hans album The Golden Age begynder med et poppet arrangement af en af Saties Gymnopedier. Men med sin charme og sin Stradivarius, der er bygget, før Mozart blev født, spiller Chen lækkert og afslappet. Når han tager fat på Kreisler-perler som Schön Rosmarin, lyder det, så Kreisler ville have klappet ... Ray Chen og London-symfonikerne er fremragende sammen i en flamboyant gennemspilning af Bruchs romantiske violinkoncert ... En cd, der holder et højt niveau og rækker bredt ud".


Fono Forum

2018 August

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Norbert Hornig

2018 August

"Ein leicht goutierbares Programm von Miniaturen ... klingt gefällig und auch brillant, aber doch meistens deutlich weniger inspiriert als das Spiel eines Heifetz oder Perlman ... Bruchs g-Moll-Violinkonzert wirkt im Umfeld dieser Miniaturen eher wie ein Fremdkörper, Chen gibt dem Werk den nötigen virtuosen Glanz".


BBC music magazine

2018 September

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Kate Wakeling

2018 September

"Don't be put off by the glitz surrounding this new release from superstar violinist Ray Chen ... there's no false glitter to his playing ... Chen is the real deal and this well-produced album ... makes for highly enjoyable listening. A celebration of the violin's 'golden age', the album features Bruch's much-loved Violin Concerto, performed with splendid warmth and character. Otherwise there's a blend of popular classics and inventive new arrangements, including 'A New Satiesfaction' (sic), an unexpectedly fizzing and uplifting arrangement of Satie's Gymnopédie No. 1 performed by Chen's excellent Made in Berlin quartet".


The gramophone

2018 September

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Charlotte Gardner

2018 September

"Chen plays with all his usual combination of suavity and kick, and his central Adagio is a particular joy ... I must trumpet Koncz's quartet contributions because these are what really lift this already marvellous disc into genuinely fresh, new territories ... Joyful. Original. Stunningly played. What more could anybody want?".