Mr. Dynamite

"It's in the contrasts between the overtly camp, the most extreme squelch, and the space afforded to the smoother jams that Mr Dynamite really excels. It's a success because the vocals, possibly the most blatant things here, are not what remain buzzing in your head after repeated listens. More indelible is the mood, the ambience even - hard to fake, but easy to over-egg. A record of delicate bombast".

"John Grant and the men of Wrangler - former Cabaret Voltaire frontman Stephen Mallinder, Tuung's Phillip Winter, and Ben "Benge" Edwards - are all expert collaborators, so it's not surprising that their work as Creep Show is something special ... Given its experimental origins, Mr. Dynamite is a little scattered, but Creep Show's sophisticated mischief is so entertaining that it's a pleasure to hear each unexpected turn they take".

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"For the most part, the voices of Grant and Mallinder have been heavily treated, pitched up or down, rendering their contributions largely indistinguishable, as on the rudimentary electro of Tokyo Metro and the vocoder-assisted Pink Squirrel. It's telling therefore that the closing Safe and Sound, on which Grant's affecting baritone is unadorned by studio trickery, stands head and shoulders above the rest. Other highlights include the lurching funk of Modern Parenting and the icy Kraftwerkisms of Fall".

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