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Musik / jazz
Musik (cd), ℗2020
Everybody Cool
4:36 min
Half Steppin'
3:40 min
Mak Attack
2:09 min
The Hunt
2:29 min
Beat Science
3:55 min
Dadada
2:06 min
Isms
3:15 min
Traveling Space
1:27 min
Kings and Queens
4:40 min
The Loneliness
3:22 min
Her Name
3:13 min
Universal Beings, Pt. 2
2:07 min
Butterss Fly
3:19 min
The Way Home
2:59 min
Artiklen er en del af
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d. 28. juli 2020
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Chris May
d. 28. juli 2020
"These musicians and their peers comprise an informal international alliance which is shaping a new jazz aesthetic, rooted in the tradition but reaching out beyond it. It is the sound of jazz renewing itself, staying relevant and avoiding becoming a repertoire-based museum piece. The grooves are deep and the improvisations fly high and the spirit of trailblazing labels such as Impulse! and Strata-East live on within it. It is not to be missed. Actually, it cannot be missed-it is coming down the road regardless. It is a total blast".
2020
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Thom Jurek
2020
"While this set adds to and is derived from the context of the original album, it is a fundamentally standalone project due to the intensity of its focus on rhythmic force to propel somewhat fragmental notions of harmony and melody. Universal Beings E&F Sides is, therefore, not only a fine follow-up, but a visionary outing of its own that also stands as required listening for post-millennial jazz fans".
d. 28. juli 2020
af
af
Chris May
d. 28. juli 2020
"These musicians and their peers comprise an informal international alliance which is shaping a new jazz aesthetic, rooted in the tradition but reaching out beyond it. It is the sound of jazz renewing itself, staying relevant and avoiding becoming a repertoire-based museum piece. The grooves are deep and the improvisations fly high and the spirit of trailblazing labels such as Impulse! and Strata-East live on within it. It is not to be missed. Actually, it cannot be missed-it is coming down the road regardless. It is a total blast".
2020
af
af
Thom Jurek
2020
"While this set adds to and is derived from the context of the original album, it is a fundamentally standalone project due to the intensity of its focus on rhythmic force to propel somewhat fragmental notions of harmony and melody. Universal Beings E&F Sides is, therefore, not only a fine follow-up, but a visionary outing of its own that also stands as required listening for post-millennial jazz fans".
d. 24. aug. 2020
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Graham Spry
d. 24. aug. 2020
"The album has fourteen short tracks, mostly about three minutes long, which are best characterised as percussive in nature. Drums are essentially the lead instrument around which the music is arranged. The album could be summed up as a collection of beats in much the same way as J Dilla's album Donuts is a collection of loops; and like Dilla's album it almost openly invites other musicians to sample the music for their own compositions. However, nobody could mistake this album for a hip-hop soundtrack. The music is very much within the jazz idiom even while clearly influenced by music from outside".
d. 24. aug. 2020
af
af
Graham Spry
d. 24. aug. 2020
"The album has fourteen short tracks, mostly about three minutes long, which are best characterised as percussive in nature. Drums are essentially the lead instrument around which the music is arranged. The album could be summed up as a collection of beats in much the same way as J Dilla's album Donuts is a collection of loops; and like Dilla's album it almost openly invites other musicians to sample the music for their own compositions. However, nobody could mistake this album for a hip-hop soundtrack. The music is very much within the jazz idiom even while clearly influenced by music from outside".
2020 November
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John Lewis
2020 November
"Several tracks sound like ruminative 1970s jazz breakbeats that have been sampled by hip-hop DJs, like the slugging grooves on "The Hunt" and "Mak Attack" (recorded with Nubya Garcia and Ashley Henry) or Soweto Kinch's fluttering alto riff on the junglist track "Half Steppin'". "Beat Science" is a trippy workout for harpist Brandee Younger, while the title track is a fascinatingly detailed piece of dub minimalism featuring Tortoise guitarist Jeff Parker and violinist Miguel Atwood-Ferguson".
2020 November
af
af
John Lewis
2020 November
"Several tracks sound like ruminative 1970s jazz breakbeats that have been sampled by hip-hop DJs, like the slugging grooves on "The Hunt" and "Mak Attack" (recorded with Nubya Garcia and Ashley Henry) or Soweto Kinch's fluttering alto riff on the junglist track "Half Steppin'". "Beat Science" is a trippy workout for harpist Brandee Younger, while the title track is a fascinatingly detailed piece of dub minimalism featuring Tortoise guitarist Jeff Parker and violinist Miguel Atwood-Ferguson".