11 5 18 2 5 18

"11 5 18 2 5 18 is the best of both worlds. Not only is Yann Tiersen melodically reliable, he's also a gifted arranger and tasteful experimenter. There are plenty of strange bends and odd noises on this album, yet none of it feels out of place. All of the beauty and weirdness strive toward the same ends. Honestly, he should do things like this more often".

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"While the new approaches he uses on 11 5 18 2 5 18 aren't always as distinctive as his previous work, it's still worth hearing for fans of his compositional skills, which remain strong despite the album's changes".

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"At times it's as euphoric as Amélie was doleful, with "Ker Al Loch"'s blustery landscapes transformed by "11518.112.121538"'s slowly developing horizons into something Underworld might admire ...".