Music / electronica

Providence


Reviews (3)


PopMatters

d. 9. Mar. 2017

By

By

Paul Carr

d. 9. Mar. 2017

"Nathan Fake conquers chronic writer's block and reshapes his sound on emotionally triumphant new album ... Fake has managed to create a distinctive album that sounds little like what he has done before. In many respects, it sounds more flexible as it constantly evolves and shapeshifts".


AllMusic

2017

By

By

Paul Simpson

2017

"Providence was recorded fairly quickly, as it came to Fake in a sudden burst of inspiration, and while it often sounds messy, usually it's endearingly so. It's a daring album, and in its best moments, the listener gets a sense of how fulfilling and soul-cleansing its production must have been".


The observer

d. 12. Mar. 2017

By

By

Killian Fox

d. 12. Mar. 2017

"hroughout his fourth album, Nathan Fake deploys sounds that might cause some listeners to worry their audio equipment is about to self-destruct ... Fortunately, Fake, who hails from Norfolk and has been exploring the pastoral fringes of electronic music for a decade and a half, does interesting things with these noises, weaving intricate figures amid the vast, shifting soundscapes he conjures up".



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