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Bon Iver
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Reviews (3)
Pitchfork
d. 1. July 2017
By
By
Jesse Jarnow
d. 1. July 2017
"A remarkable new set of 1967 recordings captures the Beach Boys as they grew into a more democratic band. They sound at once chaotic and relaxed, naive and sophisticated, pop-oriented and intimate".
AllMusic
2017
By
By
Stephen Thomas Erlewine
2017
"Considering how so much of the Beach Boys' reputation rests on their brilliance in the studio, having these outtakes and live cuts focus on their collective personality as a band is an unexpected delight and the entirety of 1967: Sunshine Tomorrow feels like a gift: it bolsters the argument that the period following Pet Sounds and Smile was no less creative than that golden age".
Record collector
469 (2017 August)
By
By
Jamie Atkins
469 (2017 August)
"Sunshine Tomorrow certainly makes a case for how brilliant and off-the-wall a lot of their music was while they learnt how to actually be a working studio band. The first massive pop act to properly go DIY? Perhaps. What we have in Wild Honey (and the following year's Friends) are The Beach Boys as a vibrant creative unit working collectively to make music that actually reflects their growing maturity".