Music / folkemusik

2


Reviews (4)


The Irish times

d. 25. Feb. 2012

By

By

Siobhan Long

d. 25. Feb. 2012

"Guitarist Dennis Cahill is ever-present, book-ending with Bartlett each song and tune, shaping the space for fiddles and voice to add further substance. The Gloaming have risen to a gallop, and our tune and song store is much the richer for it".


The guardian

d. 25. Feb. 2016

By

By

Robin Denselow

d. 25. Feb. 2016

"This is a band who specialise in subtlety and surprise rather than foot-stomping playing, as they show with the gloriously emotional song of parting Slán le Máighe, their mesmeric treatment of The Pilgrim's Song and the instrumental The Rolling Wave, in which drifting piano work is intercut with fiddle dance tunes. An exquisite album from a virtuoso band".


Information

d. 30. Dec. 2016

By

By

Ralf Christensen

d. 30. Dec. 2016

"The Gloaming formår at dirke den irske folklore op med en nymodens indiemelankoli og en svagt jazzet såvel som klassisk sensibilitet. På deres andet album - 2 - bliver der spillet på traditionelle folkemusikinstrumenter, men også på flygel. Der synges på engelsk, men især på gælisk. Det er nogle gange benmagre, andre gange rigt sammenvævede udforskninger. En fornemmelse af at finde nye meninger, besjælede opdateringer, genoplivninger af traditionen. Til tider dundrende smukt. En længsel, der rækker ud fra en anden tid og griber dig hårdt om hjertet".


fRoots

2016 April

By

By

Colin Irwin

2016 April

"The Gloaming's success is hardly a surprise .. The mesmerising interplay between Martin Hayes' fiddle and Dennis Cahill's intuitive rhythmic guitar base has long been irresistible to large audiences above and beyond the folk world, while sean-nos singer Iarla Ó Lionáird's almost spiritual voice has graced many of the world's great stages with Afro Celt Sound System ... But their overriding mastercard - indeed, the joker in the pack - is New York pianist Thomas Bartlett, a left-field musician not previously versed in any folk forms of note. While the orthers do what they do best in their own inimitable ways, Bartlett's occasionally doom-laden tones provide the edge. Bartlett is the stark base which gives their sound its weight, its shimmering power, its majesty and the understated drama which underpins the whole album. His counter-culture stylisations rewrite this type of music, yet also creates the space so that when the great fiddle artisans Hayes and Ó Raghallaigh reallycutloose on a tune, the impact is iven more profound".