"In recent years, Burial has increasingly tried to escape the linearity of dance music by cobbling together pieces of songs into multi-part suites. With Antidawn, he makes the most of that technique; every track is riddled with fake-outs, false endings, and trapdoors. In that sense, despite the record's heavy-handedness, there is something playful about Antidawn. Burial's relentless refusal to deliver anything like closure suggests an acidic sense of humor, the musical equivalent of Beckett's Waiting for Godot".