"The pieces are mostly sung in creole, though there are English-language pieces such as Caetano Veloso's Brazilian song of exile "You Don't Know Me". McCalla's vocal style remains relaxed, but set against simple backings that ally her cello and banjo playing with sophisticated percussion, she conjures moods of abjection ("Fort Dimanche" concerns a notorious prison), protest ("We are the ones who bake the bread and get burnt at the oven," complains "Dodinin") and longing ("Boukman's Prayer"). An ambitious, accomplished piece of work".