"There's a very delicate 'chamber pop' feel to In The Seams, helped in no small way by the talents of the Manchester Camerata Orchestra, and former The Coral man Bill Ryder-Jones who provides a faultless production. There's almost a sense of rebirth, exemplified perhaps by the opening lines of the first track, Intro (Sorry) - "I've made considerable mistakes, tried to be someone else". And if In The Seams is the sound of the real Rebecca Jones, then it's a most beguiling one".