Day breaks
Norah Jones
Keywords
Reviews (2)
Pitchfork
d. 20. Apr. 2015
By
By
Ian Cohen
d. 20. Apr. 2015
"The vocals are still split almost equally between Charlene Kaye and Allen Tate and alternate on a song-by-song basis. But San Fermin's storyline has been exchanged for generic signifiers ... The wearying volume of Jackrabbit is the most taxing aspect of a record that already arrives intentionally overstuffed. Ludwig-Leone has revealed himself to be a pop maximalist, as even the minute-long interludes are given to Backdraft-like bursts of horns and strings. Maybe the guy's heart is truly in theater, as Jackrabbit's overwrought spectacle unintentionally doubles as "Indie Rock in the Aughts: The Musical."".
Consequence of sound
d. 21. Apr. 2015
By
By
Kristofer Lenz
d. 21. Apr. 2015
"Vurdering: B-" - "If San Fermin's self-titled debut was an opera, its follow-up, Jackrabbit, is an anthology of music videos. Where San Fermin was bound by a unifying narrative, Jackrabbit`s songs come fast, hit hard, and disappear as quickly as they came. While Jackrabbit is a strong entry into the chamber pop genre, it is almost too pretty for its own good. It flirts with twee preciousness and never threatens to explode boundaries or leave a defining impact. That is, perhaps, a hefty request from a new band, but with the tremendous talent available, Jackrabbit leaves the listener wanting and expecting more".