"James' admiration of the material is evident, but he also feels all of it in his own way. His lithe yet rich baritone is unsurprisingly suited most for the frequent romantic and rare strutting moments. The musicians similarly honor the originals with twists that are subtle, never radical. Each modification fits, whether it's a pristine Bowers Rhodes solo, a Voodoo-like Takuya Kuroda horn arrangement, or a delightfully duetting Lalah Hathaway".