Piano concertos nos. 9 & 24
Wolfgang Amadeus Mozart
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Music / klaverkoncerter
Piano concertos nos. 9 & 24
Wolfgang Amadeus Mozart
Piano concertos nos. 19 & 27
Wolfgang Amadeus Mozart
Vivaldi's seasons
Antonio Vivaldi
The symphonies
Carl Nielsen (f. 1865)
The concertos
Carl Nielsen (f. 1865)
Eclipse
Antonín Dvořák
Toutes les nuits
Dulces Exuviae
Manon Lescaut
Giacomo Puccini
Enchantresses
Georg Friedrich Händel
Le sacre du printemps
Igor Stravinskij
2007
By
By
James Leonard
2007
"For some, the cool and more distant sound of the 1993 Sony recording will prove less attractive than the close and more colorful sound of the 2006 EMI, while it may be the reverse for others. Perhaps the ardent Colin Davis leading the professional London Symphony Orchestra will tip the scales in favor of the later recording or possibly the magisterial Carlo Maria Giulini with the magnificent Wiener Philharmoniker will weigh them toward the earlier recording".
d. 1. Sep. 2010
By
By
Gary Lemco
d. 1. Sep. 2010
"De Larrocha's penchant for the clear plastic line made her a natural Mozart exponent, and these four virtuoso concertos accommodate her fluency and rhythmic vitality".
d. 25. June 2010
By
By
Gary Lemco
d. 25. June 2010
"Quite a marvelous beginning for a complete Mozart cycle, as intelligently enthusiastic as it is lovely".
2010 uge 36
By
By
Malene Wichmann
2010 uge 36
"Vurdering: Ugens cd" - "Vassily Primakov er en mand med kraft i anslaget, teknisk overskud og både følelser og energi i fingrene. Især klaverkoncert nr. 27, B-dur, K595, dén der er kendt for at have "Kom maj du søde, milde"-melodien indbygget, sprudler energisk derudad ... Den første udgivelse lover godt for fremtiden".
d. 25. Sep. 2007
By
By
Thomas Michelsen
d. 25. Sep. 2007
"Pianisten Jevgenij Kissin er mand for at levere det superbe i detaljen og det storladne på det overordnede plan. Hans perfektion i Mozart er parret med et orkester, der i Londons akustiske work in progress, det nu 25-årige Barbican Center, lyder udpræget dynamisk ... En varm, bred luksusfortolkning, hvor klaverbokseren Kissin gudskelov er nænsom ved Mozart ... Særlig i Schumann kommer Kissins immervæk hørbare flinteanslag til sin ret med smæk for skillingen, der aldeles slår benene væk under lytteren".
d. 26. Nov. 2014
By
By
Peter Dürrfeld
d. 26. Nov. 2014
"På en ny dobbelt-cd kan man høre den 32-årige kinesiske pianist Lang Lang - der har vundet ry som en sand klaverløve - gå til angreb på Mozart. Repertoiret fejler bestemt ikke noget ... Der er ikke overraskende meget at glæde sig over i orkesterspillet ... Indimellem frydefulde øjeblikke, men både en Daniel Barenboim og en Maria João Pires spiller denne musik mere retfærdigt".
d. 19. Dec. 2014
By
By
Jens Povlsen
d. 19. Dec. 2014
"Klaverets Lucky Luke er stadig hurtigere end sin egen skygge, men han er heldigvis også begyndt at vise følelser. Med Harnoncourt leverer Lang Lang Mozart-koncerterne nr. 17 og 24 med indlevelse og personlighed. På dobbeltalbummets anden del blegner klaverhelten dog".
d. 16. Dec. 2014
By
By
Thomas Michelsen
d. 16. Dec. 2014
"Det har ikke altid været en fornøjelse at høre denne showmand tage livtag med især de finere nuancer i wienerklassisk musik, men ... med Wienerfilharmonikerne som medspillere sker der uventede ting. Lang Lang lytter og udvider sit musikalske format. Koncerten i c-mol nr. 24 - den ene af Mozarts bare to klaverkoncerter i en moltoneart - afslører følsom indlevelse i solokadencerne og en talende, levende frasering fra klaversolisten".
d. 3. Nov. 2009
By
By
Thomas Michelsen
d. 3. Nov. 2009
"Under ledelse af den eksklusive japanskengelske pianist Mitsuko Uchida får musikken ånd og liv ... Her får man Mozart med højt til loftet og plads til patos ... Trods en svag dis i lydbilledet kommer Mitsuko Uchida bedre ud gennem højttalerne. Hos hende får Mozart sjælen med på rejsen fra 1700-tallet til i dag".
d. 4. Mar. 2005
By
d. 4. Mar. 2005
d. 4. Nov. 2009
By
By
John Christiansen
d. 4. Nov. 2009
"Mange har skrevet store ord om Mitsuko Uchidas Mozart-spil. Jeg kan ikke bidrage. Hendes nyeste cd med klaverkoncerterne 23 i c-mol og 24 i A-dur er for mig for poleret uden dobbeltbundetheden af smil og smerte".
2012 juillet-août
By
By
Etienne Moreau
2012 juillet-août
2012 Mai
By
By
Simon Tönies
2012 Mai
"Einen Mozart, dessen Durchhörbarkeit tatsächlich besser ist [als Schoonderwoerd] ... dessen Vergnügtheit und Frische ihresgleichen suchen. Seine 32stel-Ketten, seine Auszierungen und Triller perlen so sanft und selbstverständlich wie die eines Murray Perahia ... Eine Aufnahme, die den Hörer anspringt und trotz Konservativität den Vergleich mit Schoonderwoerd souverän gewinnt".
2007 Oktober
By
By
Attila Csampai
2007 Oktober
"Ein Musterbeispiel für stilistische Engstirnigkeit auf höchstem Niveau ... Kissin hält an der alten russischen Lesart fest, dass Mozart in seinem düsteren c-Moll-Konzert ein prophetisches Werk der Romantik geschaffen habe ... Bei Schumanns a-Moll-Konzert hingegen erweist sich Kissins energische Sensibilität als Volltreffer ... Ein bemerkenswerter Neuanfang eines unzeitgemässen Starpianisten".
2007 September
By
By
Erik Levi
2007 September
"Evegeny Kissin provides a very individual yet compelling view of Mozart's C minor Concerto. It may not appeal to those who prefer a more Clasically orientated view of the music ... I would not want to be without this performances by Kissin".
2023 mai
By
By
Bertrand Boissard
2023 mai
2023 April
By
By
Malcolm Hayes
2023 April
"Bavouzet uses a modern concert grand, with the orchestra avoiding excessive vibrato but otherwise playing in today's mellow-toned instrumental style. The superlative collective result shows that period performance issues need not be an overriding concern, if the feeling for the idiom itself is so engagingly right ... Bavouzet's scintillating delivery ... which comes across as a display of musical and technical mastery that amazes even by Mozart standards".
2014 November
By
By
Julia Spinola
2014 November
"In ihrer Vorliebe für eine gewisse expressive Drastik und Überdeutlichkeit scheinen sich Harnoncourt und Lang Lang durchaus glücklich getroffen zu haben".
2010, nr. 18
By
By
Christine Christiansen
2010, nr. 18
"På seriens første cd ... viser Vassily Primakov sig som en moden musiker med et gennemarbejdet bud på de berømte Mozart-koncerter. Og så har han et imponerende teknisk overskud ... Scott Yoo styrer orkestret med en stram og præcis rytmisk sans ... I alt kommer Mozarts 27 klaverkoncerter til at fylde 10 cd'er, så Odense Symfoniorkester har her, sammen med både solist og dirigent, en enestående mulighed for at markere sig".
2010 November
By
By
Jeremy Siepmann
2010 November
"Outstanding release. The piano playing is of exceptional quality: refined, multi-coloured, elegant of phrase and immaculately balanced, both in itself and in relation to the effortlessly stylish orchestra".
2011 Christmas
By
By
Misha Donat
2011 Christmas
"Brautigam is his usual reliable self, providing playing of both brillance and insight ... For all the accomplishments of the playing here, it's hard not to feel that the music yields up more of its secrets in such stylish modern-instrument performances as those of Alfred Brendel with the Scottish Chamber Orchestra".
2009 Christmas
By
By
Michael Tanner (musikanmelder)
2009 Christmas
"This will prove to be a controversial issue ... For many people such extremes of characterisation will seem unidiomatic, but I'd beg them to keep an open mind ... Uchida manages to avoid the almost unavoidable trap of too much affection, and in the slow movement rises to heights of eloquent grief that are demanded, but seldom risked".
2008 August
By
By
Nalen Anthoni
2008 August
"These interpretations are profoundly felt, excellently played and, apart from muffled timpani, truthfully reproduced".
2008 Proms
By
By
David Breckbill
2008 Proms
"In K491, Imogen Cooper and the Northern Sinfonia do ample justice to the gravitas, intensity, drama, and poignancy of this great work ... In K502, however, what is no doubt a similar approach strikes me as fussy, affected, precious, and overly detailed".
2023 March
By
By
Patrick Rucker
2023 March
"Some of Mozart's most beautiful and characteristic writing for winds occurs in the context of his piano concertos . The Manchester Camerata, due to the ratio of its wind players to strings, not to mention the truly remarkable virtuosity of the wind players themselves, produce a delectable feast for the ear encountered all too rarely in contemporary Mozart ensembles. That Bavouzet is seated in the midst of this distinctive sensuality and textural richness ... beautifully contoured cantabile sections and brilliant passagework seem delivered effortlessly ... Certainly these are performances of warmth and beauty that continue to deliver fresh insights even after repeated hearings".
2015 February
By
By
Nicholas Salwey
2015 February
"Whatever the reservations about the second disc, this is undoubtedly worth the investment for the two concerto performances. Lang Lang and Harnoncourt prove to be very stimulating partners ... I hope we hear more from them".
2014 October
By
By
David Threasher
2014 October
"Of course the technique needs no comment; but the feeling is that Lang Lang has the measure of the music without approaching the impish playfulness of Brendel, the inwardness of Pires ... He comes into his own, however, in the cadenzas. Here his touch is breathtakingly beautiful and, let off the leash, he is able to spin the same spells that make certain parts of his live performances so mesmerising".
2012 January
By
By
Richard Wigmore
2012 January
"Playing on a fine, un-jangly modern copy of an Anton Walter instrument [fortepiano], with its silvery, singing treble and clear, percussive bass, Ronald Brautigam gives bold, invigorating performances of these contrasting concertos from 1786 ... This is exhilarating, often thought-provoking Mozart-playing".
2011 December
By
By
John Warrack
2011 December
"In general, Brautigam keeps everything simple, phrasing elegantly but undemonstratively, and using decoration ... with tact and even a touch of humour ... The Kölner Akademie includes some excellent woodwind players, among them a bassoon who rises brilliantly to the occasion of some of Mozart's stiffer demands".
2009 December
By
By
Bryce Morrison
2009 December
"Vurdering: Editor's choice" - "Here she revisits her beloved Mozart in readings of the greatest poetic poise, empathy and refinement ... The Cleveland Orchestra are entirely at one with their inspired soloist ... One of the truly great artists of our time".
2009 November
By
By
Stephen Pruslin
2009 November
"These live performances are conducted by Mitsuko Uchida from the piano. Happily, they avoid the pitfall of divided attention that often besets concertos conducted by the soloist, whose attention to pianistic detail in the solo parts is therefore audibly less than perfect. Here, Uchida and the Cleveland Orchestra sound as one ... In general, this recording stands quite high among relatively recent versions".