Music / renæssance -> 1600

Supersize polyphony


Reviews (6)


MusicWeb international

2019 April

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Simon Thompson (musikanmelder)

2019 April

"When ensembles combine, the results aren't always harmonious, but the Caius Choir and the Armonico Consort sound as though they are singing from the same hymn sheet in every conceivable way. The direction is clear and the results are exciting. Furthermore, the recorded balance is very good, allowing the different lines to sound as clean and distinct as it's possible to do for 40 parts in two-channel stereo. Excellent as the performance is, it's the structure of the programme that really makes this disc win as something to take in at one sitting. Full texts and translations are included in the notes. This is worthy to put alongside I Fagiolini, a disc that's every bit as likeable and enjoyable on its own terms".


BBC music magazine

2011 April

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Anthony Pryer

2011 April

"The instruments transfigure much of the music. They do the heavy lifting for some of the choir parts in the Mass and Ecce beatam lucem, contribute to the spacious sonorities, and add delicate moments of colour".


BBC music magazine

2019 September

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Freya Parr

2019 September

"In glorious sound, the Armonico Consort presents a selection of large choral works, with a handful of pieces by Bingen, delivered with delicacy. A total delight".


International record review

2011 May

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Simon Heighes

2011 May

"Vurdering: IRR outstanding" - "This is massive. Decca has been throwing money at this project like there's no recession, and after years ignoring the choral domain, it's a triumphant return ... An importan and outstanding release".


The gramophone

2012 June

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Fabrice Fitch

2012 June

"Hervé Niquet and Le Concert Spirituel opt for a fatter, bolder sonority, with 40 singers supported by over a dozen instrumentalists playing cornetts ... this disc certainly merits my personal accolade".


The gramophone

2019 July

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Fabrice Fitch

2019 July

"The two assembled choirs turn in one of the fastest Spems I can recall, and none the worse for it, though the contrapuntal detail as the choirs come to a standstill on the final chord gets lost in the wall of sound. That aside, these are workmanlike performances".