The guardiand. 18. July 2013ByByAndrew Clements (musikanmelder)d. 18. July 2013"Potentially melodramatic, the story is tautly and concisely presented ... It's beautifully recorded, Nora Gubisch is a touching Thérèse and Charles Castronovo the ardent Armand".Read review
Fono Forum2014 JanuarByByManuel Brug2014 Januar"Für diesen Ausgaben von 'Le Mage' wie 'Thérèse' spricht neben ihrer raren Existenz und ihrer interpretatorischen Qualität zudem die selten schöne wie gehaltvoll bibliophile Aufmachung zwischen Buchdeckeln".
International record review2013 SeptemberByByHugh Canning2013 September"[Gubisch brings] a keen dramatic and psychological edge to her character. Her moment of madness when she betrays herself at the end is spine-tingling stuff ... Dupuis almost takes centre-stage ... with his beautifully projected big-lyric baritone and eloquent declamation ... French music seems to suit [Castronovo] perfectly".
The gramophone2013 OctoberByByRichard Lawrence2013 October"The scale is small, the plot thin, but the opera has its moments: one of them is the flowing 'O Therese, regarde', sensitively phrased by Etienne Dupuis. Nora Gubisch and Charles Castronovo are splendid".